Download All About the Girl: Culture, Power, and Identity by Anita Harris, Michelle Fine PDF

By Anita Harris, Michelle Fine

This groundbreaking assortment bargains a classy portrait of women within the twenty first Century. those are the revolt grrls and the Spice women, the nice ladies and the undesirable women who're developing their very own "girl" tradition and giving a complete new intending to "grrl" strength. that includes provocative essays from leaders within the box like Michelle superb, Angela McRobbie, Valerie Walkerdine, Nancy Lesko, Niobe manner and Deborah Tolman, this paintings brings to lifestyles the ever-changing identities of trendy younger ladies. The members disguise all facets of girlhood from worldwide and strike upon such key components as education, sexuality, pop culture and id. this can be new scholarship at its top.

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Additional info for All About the Girl: Culture, Power, and Identity

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The Wonderbra ad showing the model Eva Herzigova looking down admiringly at her substantial cleavage enhanced by the lacy pyrotechnics of the Wonderbra, was through the mid-1990s positioned in major main street locations in the United Kingdom on full-size billboards. The composition of the image had such a textbook sexist ad dimension that one could be forgiven for supposing some familiarity with both cultural studies and feminist critiques of advertising (Williamson 1987). It was, in a sense, taking feminism into account by showing it to be a thing of the past, by provocatively enacting sexism while at the same time playing with those debates in film theory about women as the object of the gaze (Mulvey 1975), and even with female desire (De Lauretis 1988; Coward 1994).

When in a TV advertisment (1998/1999) another supermodel, Claudia Schiffer, takes off her clothes as she descends a flight of stairs in a luxury mansion on her way out the door toward her new Citroen car, a similar rhetoric is at work. This ad appears to suggest that yes, this is a self-consciously “sexist ad,” and feminist critiques of it are deliberately evoked. Feminism is “taken into account,” but only to be shown to be no longer necessary. Why? Because there is no exploitation here, there is nothing remotely naïve about this striptease.

These studies met with harsh critique for over-generalizing the experience of girlhood in a multicultural America. In the years since, researchers have attempted to enact a corrective measure by increasing their study of girls from the largest minority populations in the United States. Such research has resulted in significant refinement of our initial understanding of the “crisis” in girls’ development. , Taylor et al. 1995, more explicitly acknowledged race/ethnicity and social class as key components of girls’ developmental experiences and contexts.

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