By Christian Darkin
So you've gotten a duplicate of After results and an idea of what this specialist movement portraits and results instruments can do...but what are you able to particularly do with After results? How a ways are you able to push it? What are the easiest results so you might create? What are the fundamental talents and methods it's essential fairly make your creations stand out?
After results such a lot Wanted solutions those questions in a fresh and sensible method. taking a look at a large choice of tasks, the unique artists let you know why, and precisely how they created their masterpieces.
The authors, all execs who use After results to make a dwelling, proportion with you the secrets and techniques in their successes and expand past that to provide you the explanations why they did issues the best way that they did.
Moreover, the accompanying CD has their creations to be had at your fingertips and the easy, step by step directions within the e-book exhibit you ways they created those pieces.
The tasks coated are assorted, from a thought-provoking paintings via popular and debatable artist Simon Tsyko, a piece featured through Adobe of their movement gallery, to a tv advertisement for McDonald's and Coca-Cola through Peter Reynolds.
Other authors comprise: Joost Korngold (www.renascent.nl) and Chris James Hewitt, whose Relokation Ne is the featured paintings at the BD4D (By Designers For Designers) website, Christian Darkin, a electronic video journalist and writer, and Mark Towse, who bargains items, one for television and one for the cinema.
Without lengthy, redundant discussions of instruments and alertness programs, After results such a lot sought after is a booklet that can provide the ideas, abilities, and results that may allow you to convey your creations to life.
Read Online or Download After Effects Most Wanted PDF
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Extra resources for After Effects Most Wanted
At theculture our work is conceived mostly as fine art gallery productions, yet this boundary often crosses over to the commercial world, drawing from and contributing back, from advertising to music videos and interactive media including web sites for Primal Scream (the band) and various record company and fash ion projects. Started as a small scale project on an old, beige G3 Apple Mac, Karamii grew into a little monster, end ing up with over 150 layers of video, straining every last byte from the small processor and eventually appearing as a full screen short film in a West End cinema release.
You should be able to copy and paste all the masks from the first clip direct to the second. Apply the Re-Flex Warp filter to the second clip and then alter the order of the masks, so instead of pairs of 1 'to', 2 'from', change the layer order so that you have 2 'to' and 1 'from'. 9. Now, instead of animating percentage warp from 0 to 100, changing your start and end keyframes from 100 to 0. You don't need to set Opacity keyframes for the second clip. Make sure the second clip is stacked underneath the first (if it isn't already) as you aren't going to see the cross fade with a 100% opaque clip over the top of another!
5. The way we do this mammoth task is by creating individual keyframes in the Mask Shape control in the timeline. I have created keyframes at the start of the clip and at the place we want the morph to begin. Then you must create 25 keyframes. 1 per frame (or the equivalent for NTSC users) and keyframe each mask at each frame, manipulating the masks so the 'from' masks change each frame 'to' match the first boarder, and the 'to' masks change to match the second boarder if your using NTSC, which you can again check by turning on and off visibility.