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By Van Pelt John Vredenburgh 1874-1962

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The statue is an admissible exception (as most designs where silhouette is of great importance, the crowning climax being approached carry out the fourth law. in sequence), because we are so used to looking to the head for the chief expression as to experience no difficulty in finding it there. " An interesting piece of decoration is most striking surrounded by a blank wall, and must be of the same family as the rest of the composition. The need laws, of a close observance of the second law is evident, since sarily detracts each secondary focal point neces- somewhat from the importance of the STATED LAWS.

211. STATED LAWS. From the point of view of form: two lines compose one with the other when the tinues; 47 when or second. In the first first is leads into, and con- perpendicular to the this latter case the lines also give con- trast. a popular word; yet our fourth law is often violated where one would least expect to find it Balance so. is If one does not wish to feel that a pictorial sub- ject has been badly placed in its frame, where a weight of interest exists on the right, or above, a balancing weight of interest must be placed on the left, Between two such masses, if one is more concentrated and powerful than the other, the stronger is kept farther from the edge of the compoor below.

This is the application which we may make of a study of style. As Henri Mayeux says :* mean by I do not unite in the "Le style, que I'on confond souvent avec le caractere, marque speciale des ceuvres d'un pays ou d'une epopue: chercher a faire revivre celui d'un est le cachet, la siecle passe, c'est necessairement le deflorer; on n'est plus dans les conditions voulues de temps et de milieu, pastiche. on ne tarde pas a tomber dans la L 'etude des styles, excellente pour 1 'edu- cation de 1 et de 1 'imitation 'artiste qui s'instruit en comparant, ne on s'avise de lui demander davantage, qu'a etouffer dans leur germe tout art et tout peut servir, originalite.

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